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Chloë Grace Moretz is the likable teenager who finds herself fighting a guerrilla war when space invaders (“we call them ‘others’”) terrorise the planet and the army starts rounding up kids to fight in an ugly war. And in his love for cops, Rohit Shetty once again falters by glorifying police brutality or even in how the police treats the kin of terrorist accused.T his sci-fi fantasy, from the first book in Rick Yancey’s ongoing YA series, mimics the riffs (feisty heroine, hunky boys, dystopian setting, devious adult corporations, potential love triangles etc) but lacks the cinematic legs of The Hunger Games or The Maze Runner. Furthermore, some plot inconsistencies are loopholes are apparent, which would’ve become prominent were it not for the climax. Technically, it’s also a very sound film, with the editing, camerawork, VFX, background score and overall production values all gelling well.īarring Akshay Kumar’s introductory opening action sequence, the first half is absent if anymore marquee high-octane moments, which is slightly disappointing from a Rohit Shetty movie, especially one belonging to the same franchise as Singham and Simmba. However, for me, three scenes stood out the most in Sooryavanshi – when Akshay renders a dialogue of putting the past behind us (imperative in today’s powderkeg milieu in the country), when Ranveer renders a monologue praising Pakistan’s citizens, but bashing its state-funded terrorism, and a wonderfully nostalgic moment when Muslim and Hindi priests band together to protect an idol, creating an iconic frame. And their climax along with Akshay Kumar is a thing of beauty, by far one of the greatest choreographed action sequences in the history of Indian cinema. This is so far a truly very well-made masala movie, seeped in a topical, relevant subject, shrouded in a carefully constructed cross-border plot.Īs for Ajay Devgn and Ranveer Singh’s big entries, they more than live up to their highly anticipated cameo billings, easily at par with anything Marvel has dished out in its Avengers universe. And those worried about Sooryavanshi being over-grilled with jingosim can rest easy, all the dialogues are etched with careful thought, even the ones mean to evoke claps and whistles. The single screen public will also love the subtle bits of comedy added, none of whichbdistract from the main plot. Heck, even those in bit parts like Gulshan Grover and Asif Basra are cast for pin-point reasons. Even Jaaved Jaaferi and Jackie Shroff get their best roles in years.
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Plus, his attention to minor details is as spot on as always (like even for something as small as who a doctor can operate on or not or somthing as big as getting all aspect of terrorist sleeper cells right) – this man is truly a Director with artistic sensibilities masquerading as a masala filmmaker.Įven the way he sets up the romantic track between Akki and Katrina Kaif, fluidly gels with the story, plus we’re clearly reminded why Akshay and Katrina are such a beautiful onscreen pair as they light the screen on fire. Moreover, the backstory Rohit Shetty sets up is so interesting despite us knowing the real incidents. What’s more, it’s a joy to finally watch the Khiladi of yore back in action, performing high-intensity martial arts sequences and stylish kicks just as his fans loved watching him do in his younger days.
And boy, has Akshay been presented like the superstar he is, but hasn’t been showcased as since Lord knows when.
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The movie begins with a bang, Director Rohit Shetty setting things up in trademark style with a rip-roaring action sequence for leading man Akshay Kumar. Sooryavanshi is a paisa vasool ride back to larger-than-life, star-driven cinema on the big screen. Starring: Chloë Grace Moretz, Nick Robinson, Ron Livingston.
It’s in the how and where this unfolds that Rohit Shetty displays his genius in Sooryavanshi. After four waves of destruction turn Earth into a wasteland, a teen desperate to find her brother teams with a stranger to prepare for the fifth.
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Sooryavanshi was pretty much self-explained in its trailer, where it’s top eponymous ATS cop (Akshay Kumar) has to stop a series of bomb blasts by terrorist sleeper cells, set to supersede anything done in the ’93 serial blasts or the 26/11 attack.
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